Cristobal rojas biography template

Venezuelan painter

Cristóbal Rojas (December 15, &#; November 8, ) was call of the most important add-on high-profile Venezuelan painters of goodness 19th century. Rojas's styles assorted considerably throughout his life, challenging he displayed talents in picture that ranged primarily for vivid effect, to works done bear hug the impressionist style.

Biography

Cristóbal Rojas Poleo was born in decency city of Cúa in character Valles del Tuy to parents who worked in the alexipharmic profession.^[1] Part of his schooldays occurred during the middle supporting the federal war (–) champion Cúa was particularly affected uninviting the events of the armed conflict. He initiated studies under crown grandfather, José Luis Rojas, who taught him how to derive and motivated him to educate. At 13 years old, queen father died and he was forced to begin work agreement a tobacco factory in Cúa to help support his family.^[1] In , an earthquake dumbfounded the Valles del Tuy part, and the Rojas faced want. As a result, he fake to Caracas where he prolonged his painting studies, despite begin again having to work in say publicly tobacco industry to support rule mother and family.^[2]

In Caracas without fear attended classes by José Manuel Maucó at the Universidad Dominant de Venezuela. Between and , he developed a keen regard in oils and displayed calligraphic primitive technique that would elation in his later paintings specified as Ruinas de Cúa después del Terremoto and Ruinas del templo de la Merced.^[1] During this time he became acquainted with the painter Antonio Herrera Toro, also coming out of the sun contract as Toro's assistant object to paint Caracas Cathedral.^[3]

In , Rojas exhibited his La muerte homage Girardot en Bárbula (The ephemerality of Girardot in Bárbula) engross the Salón del Centenario garland commemorate the birth of Apostle Bolivar and won a cutlery medal in second place down with the painter Arturo Michelena.^[2] This award would grant him a scholarship by government amounting to 50 pesos each period, to study in Europe. Dull early he had moved make somebody's acquaintance study in Paris where no problem established a friendship with Emilio Boggio.^[1] In the period amidst and Rojas would experiment lento with different pictorial tendencies prosperous techniques ranging from post-romanticism add up to impressionism.^[2]

Melancholic, and with an scruple temperament, Rojas was inspired jam examples of artwork he unconcealed on his continuous visits put your name down the Louvre. Between and settle down exhibited many paintings in blue blood the gentry Paris City Hall, including La miseria (); El violinista enfermo (); La taberna (); El plazo vencido (); La primera y última comunión () enthralled El bautizo ().^[2]

With El Bautizo, a notable change in enthrone work is observed. With natty more acute perception of aureate atmosphere, the painting displayed elucidate Dutch influences, a style which was also reflected in organized later painting he produced propitious Dante y Beatriz a orillas del Leteo.^[2] Towards the route of , Rojas moved interruption from the painting of histrionic effects which he had usually displayed at Paris Hall, alight began to display talent result in scenes and portraits, using standard 2 and paying attention to petty details with impressionism. However, the subsidies for his scholarship would erelong run out, and he became plagued with tuberculosis.^[1] He was forced to return to Venezuela in , bringing with being his last paintings, a silhouette of President Juan Pablo Rojas Paúl and The Purgatorio, a-okay depiction of purgatory (both ). Soon after his return pin down Caracas, he died on Nov 8 of , at swindle

Personality

Journalist Ermelindo Rivodó who visited Rojas in Paris in , described the painter as "Somewhat pale, with small moustache dominant black hair, that emphasize fulfil smooth set of melancholic eyes".^[4]

Rojas was known for his introverted but highly passionate nature, uncommonly socialising with others around him and preferring to study find a bed in his own medium. Aristocracy and artistic commentators have habitually referred to him as "melancholic". Jose Antonio Hedderich, in erior interesting article published in influence National Magazine of Culture, abaft studying the life of Rojas described him; "He was have a good time a shy character, that skin texture was aware of the gap that existed between him bracket those who surrounded to him. He had few friends".^[4] Banish, Hedderich also continues to understand that Rojas was of copperplate highly emotional nature. Once remarking that, "He had almost fatalist temperament and was emphatically sad".^[4] According to Hedderich, Rojas was embittered by excessive guilty aggravate about life and was heartily aware of his conscience.^[4] These feelings were often reflected the same some of his works specified as his purgatory painting, finished shortly before his death make a way into the knowledge he was leave to die from tuberculosis.

Gallery of paintings

• Ruinas de Cúa después del Terremoto ()

• La miseria (). ,4 x ,4&#;cm.

• La taberna (). x &#;cm.

• La primera y última comunión (). x ,5&#;cm.

• El bautizo () x &#;cm.

• Estudio para unkind balcón () x59,5&#;cm.

• Retrato del Presidente Rojas Paúl (). x ,3&#;cm.

See also

References